Thanks to Twitter and the claustrophobic constraint of 140 characters, link shorteners have become a common part of sharing links on the web. There’s something oddly satisfying about scrunching up an unwieldy link down to just a handful of characters.
Today, we’re announcing the availability of yet another URL shortener with a convenient little twist: rdd.me:
It works like any other link-shortener except for one very important distinction: it bakes the power and convenience of Readability right into the link. If anyone opens an rdd.me link, they’ll see a reading view option up top that lets them turn on Readability. If they open the link on a mobile device, a lightweight mobile version of Readability kicks in to present the page in a clean reading view. Rdd.me is even smart enough to leave alone web pages that don’t need an optimized reading view.
We’re also excited to announce that one of our favorite curators, Maria Popova, the editor of Brain Pickings will be helping us spread the word about rdd.me. Through her popular @brainpicker Twitter account, Maria will be using rdd.me as the shortener of choice for all that great article content that she discovers and shares.
Rdd.me is free for anyone to use and share. A Readability account is not required. So what are you waiting for? Go forth and shorten…and read comfortably!







Lost Art, Rediscovered
by Darren Hoyt on (2) Comments
It’s encouraging that the word longform has been reclaimed by online audiences the past few years, but also strange. Strange because many people never considered lengthy, thoughtful writing to be an exotic lost art. Meanwhile others have been been lulled into believing longform can’t coexist with the re-mashed, attention-deficit writing that the web tends to foster.
Two recent experiences at SXSW proved it can, and made me regret neglecting longform in the first place: one was seeing the excellent “The Death of the Death of Longform Journalism” panel and the other was seeing Page One, a documentary about the New York Times’ struggle to adapt. Both reminded me that there are smart, optimistic audiences for whom longform never left.
Just like the magazine writing that meant so much to me growing up, I realized there were other forms I had been neglecting—classic short fiction, poems, lyrics, transcriptions of speeches, even user-manuals for devices I’m exploring—simply because they weren’t portable enough.
Readability has changed all that. I haven’t read John Cheever’s The Swimmer in 15 years but this week I added it to my my reading list and read it on the subway. Soon I’ll re-read Lyndon’ Johnson’s “We Shall Overcome” speech and my favorite David Berman poem. The Readability algorithm is smart enough it can slurp text from just about anywhere and you’ll always have it saved for later.
Since launch, it’s been exciting to watch what people are doing with the app. Like Twitter, Readability began with a single purpose but ultimately it’s the community who will shape it. It’s also been great to watch writers and curators spring up around their appreciation for journalism. We’re seeing longform redefine and rediscover itself at the same time readers are finding innovative ways to discover it.